Movies:

Documentary about the history of experimental cinema in Spain. FRAGMENTS is a historical survey of “the other” Spanish Cinema — films that brazenly explored their artistic, poetic and conceptual potential. Spanish experimental cinema can be glimpsed...

Film made with analog 35mm photo camera framed vertically. The sound that arises is caused by the image extending over the optical sound track. The content focuses on the descent made from a building in the Plaza de España in Madrid, honoring the gre...

'i STiLL BELiEVE iN CELLULOiD.’...

A self-described “handmade décollage”, G/R/E/A/S/E takes the famous rock'n'roll musical comedy Grease as source material....

"[An] experiment that aims to highlight the number of shots of a specific scene [from Hitchcock's Psycho] by replacing the shot of the image with several of the credit titles from the same film [...] An early work, which would be the first official o...

Film-essay tribute to Paul Sharits’ artworks, focused on displaying and deconstructing cinema as an object, proposes a study of time and at the same time rends tribute to the master Sharits and his body of artwork. — AP...

The starting point: the propositions from 1910’s and 1920’s about visual rhythm or visual music. We try to avoid the supposed failure explained by Jean Mitry and to propose a new way with the hope that the score of Beethoven’s Moonlight Sonata can be...

It has always been understood that the secret of movement lies in the decomposition of time. Aristotle was convinced that the horse in his gallop never rises completely from the ground. Only in the 1870s, Eadweard Muybridge, using a series of photogr...

Documentation of works by Daniel Barroca, Gustav Deutsch, Sandra Gibson / Luis Recoder, João Maria Gusmão / Pedro Paiva, João Louro, Bill Morrison, Daïchi Saïto, and Peter Tscherkassky. Performance by Sandra Gibson & Luis Recoder ‘Aberration of Light...

FILM QUARTET / POLYFRAME is conceived as a small cinematographic bomb attempting to question the established definition of frame as the minimum unit of (cinematographic) time by dynamiting it in four fragments. A step further in the so-called sub-gen...

Chance proposes. We blindly commit to its potential, magnetism and instinct. We imagine or project inwardly with eyes closed. What will the result be...? From the steps taken and uncertain intentions, we stumble upon the mysteries of the creative act...

In this film the author looks back on his own artistic career, resuming his film (‘EXPERIMENTAL SKETCHES. 4,200 frames not moving away from home’), a semiabstract work, filmed on Super-8 format, and literally put onto 35mm format. […] Collage as radi...

Theoretical experiment that uses the technique of picto-cinematography, win which “the search for the temporal objective duration of painting” stands out; this comes to us via its real measurements on a 35mm film. This technique allows us to get “a n...