Movies: Bruce Conner

Bruce Conner’s most celebrated film for a reason: it takes historical moments that were replayed over and over on television—chilling repetition of Kennedy assassination coverage—and repurposes them into a meditation on how the media tries to exert a...

Bruce Conner's landmark experimental film consisting entirely of found footage edited to a new score....

In his first collaboration with David Byrne and Brian Eno, Conner used footage from educational films to create a rhythmically austere image-track for music from their pioneering “sampling” album “My Life in the Bush of Ghosts” (1981)....

Experimental short uses Ray Charles' “What'd I Say” as accompaniment to constantly shifting collage of female nude, cartoons, and newsreels of atomic bomb explosions....

Its slow somnambulic rhythm, its animalistic jungle sounds as well as the eerily mixed images create a dream mood that comes closest to my actual dreaming-feeling. The long black phases between the sequences are as important as the images themselves ...

The inevitable fat cigar between his fingers, the American actor, director and fine artist Dennis Hopper (1936) self-mockingly looks back on his chequered life and career, at the request of Dutch director, photographer and fine artist Thom Hoffman. T...

Filmmaker Jonas Mekas films 160 underground film people over four decades....

The 1945 atomic-bomb explosion at Bikini Atoll becomes a thing of terrible beauty and haunting visual poetry when shown in extreme slow motion, shown from 27 different angles, and accompanied by avant-garde Western classical music composed for electr...

Stock footage edited with music to comment on American culture....

With a similar dreamy mood like its predecessor "Take the 5:10 to Dreamland" (1976) this clip starts with a boy getting into his bed. The camera zooms in into the boy's mind and a slow, sad waltz (i.e."Valse Triste") accompanies images of a locomotiv...

Breakaway plays out like a visual symphony. A prototype for the best (but still, lesser) contemporary formalist music videos, like Peter Care’s “What’s the Frequency, Kenneth?” and “Drive” (both for REM), Conner’s movie is an experiment in the visual...

"A film portrait cut to the tune of Conway Twitty's version of 'Mona Lisa.' Filmed in part at a 1964 show of Conner's artwork in San Francisco, the film is also a witty statement about forces that take the life out of art. Vivian Kurz, the subject of...

A commentary on the destructive expectations of females in a male dominated society, Marilyn Times Five was made from an old stag film called "The Apple-Knockers, and the Coke"(1948) these sections of the film were set to Marilyn Monroe's song "I'm T...

TELEVISION ASSASSINATION is one of two major works that Bruce Conner began in the days immediately following the Kennedy assassination and the artist's own thirtieth birthday, in the fall of 1963. While REPORT utilized montage and a strongly articula...

During his year in Mexico, Conner hosted psychedelic guru Timothy Leary, who he had met on an earlier visit to New York. Conner and Leary occupied themselves with mushroom hunts in the Mexican countryside. It’s not clear whether their hunts were succ...

16mm/Digital, color/b&w/sound Bruce Conner began working on By and By a documentary about The Soul Stirrers several decades ago shooting their reunion concert with four cameras and accumulating interview material. Conner was poised to finish the pie...

A short film created during the production of Cool Hand Luke....

An advertisement for the New York Film Festival which the Festival rejected as being "too fast."...

A rare behind-the-scenes view of the exploding New York “underground” in the late sixities, a turbulent time and place that was to change American culture forever. A German TV crew, led by journalist Gideon Bachmann, explores the epicenter of the six...

A three screen projection comprised of imagery from COSMIC RAY (1961) and EVE-RAY-FOREVER (1965)....