Movies:
- 1993
Memoirs of My Nervous Illness (1993)
Memoirs of My Nervous Illness01993HD
On the 28th of October 1884 Daniel Paul Schreber, candidate of the National Liberal Party in Chemnitz, suffered a heavy defeat at the elections of the German Reichstag. He was taken up in the mental clinic of the Leipzig University soon afterwards. T...
- 1987
Daniel Paul Schrebers Stimmvisionen and Schizo-Schreber (1987)
Daniel Paul Schrebers Stimmvisionen and Schizo-Schreber01987HD
(for Ernst Schmidt jrs. trilogy Memories of a Nervous Illness, part 1 & part 2) 1987/88, 16mm (S 8 blow up), á 4 min, colour & b/w...
- 1987
Memoirs of My Nervous Illness, Part 1 (1987)
Memoirs of My Nervous Illness, Part 101987HD
On the 28th of October 1884 Daniel Paul Schreber, candidate of the National Liberal Party in Chemnitz, suffered a heavy defeat at the elections of the German Reichstag. He was taken up in the mental clinic of the Leipzig University soon afterwards. T...
- 1979
Collected by Wendy (1979)
Collected by Wendy01979HD
At a party, which was organized for Wendy, each person invited brought a photo of themselves. Each photo was filmed according to a strict scheme: each 7 frames, 5 frames, 3 frames and 1 frame (1/24 of a second) long, and then intercut with the other ...
- 1978
N (1978)
N4.51978HD
Recorded during a presentation of the "Performance Art Festival" in the Modern Art Galerie, Vienna. The presentation was officially put to an end by the police because of the infernal sound made by the accompanying noise orchestra. In this film short...
- 1977
12 Uhr Mittags - High Noon (1977)
12 Uhr Mittags - High Noon01977HD
A person sticks it out for 24 hours in front of the camera. Every ten minutes a short clip was recorded, 8 frames per second (which is then projected at a speed of 24 f.p.s.). The tiredness of 24 hours in a time lapse of 4 minutes. (E.S.jr.)...
- 1977
The Merry Widow (1977)
The Merry Widow01977HD
Through the use of a time lapse effect (single frame shots), the changes in a face covered with a cream cheese mask for 30 minutes are condensed into one minute. (E.S.jr.)...
- 1974
A Subhistory of Film (1974)
A Subhistory of Film01974HD
All of the photos in Eine Subgeschichte des Films (A Sub-history of Film) by Scheugl/Schmidt (Suhrkamp edition 471) one after another, cut inside in the camera using the same scheme as in Gesammelt von Wendy (Collected by Wendy): each therefore 7, 5,...
- 1968
Cheers (1968)
Cheers01968HD
This is a film with minimal content. Using a film pen, a line was drawn across a strip of clear leader, until it hit the edge of the frame ("cheers"), and then the line was drawn back to the other side ("cheers"), etc. This strip functioned as the fi...
- 1968
White (1968)
White01968HD
In a blank film, holes were punched with a office hole-punch. During the projection, only the black scratches present in the material, which form over the course of time, can apparently be seen in the holes as well. (E.S.)...
- 1968
The Act of Thinking (1968)
The Act of Thinking01968HD
This is a portrait of Peter Weibel, and at the same time a reflection on the medium film. As Peter Weibel looks silently into the camera (and thus to the audience) his own difficult text on the subject "Nimm eine Handvoll Zelluloid" ("Take a handful ...
- 1968
Yes/No (1968)
Yes/No01968HD
Expanded cinema with a real and a projected curtain. (This film is part of the 20 Action and Destruction Films.)...
- 1968
Onetwothree (1968)
Onetwothree01968HD
This film includes shots from Silberarsch (Silver Arse; the 16th material action by Otto Muehl, 1965), Bimmel-Bammel (Ding-Dong; MuehlŽ s 17th material action, 1965). Gehirnoperation (Brain Operation; MuehlŽ s 22nd material action, 1965, with Günter ...
- 1967
Bodybuilding (1967)
Bodybuilding01967HD
In May 1965, Ernst Schmidt Jr. films the Otto Muehl performances Rumpsti Pumsti and Body Building. In this period Muehl conceives his actionist works almost exclusively for photographic and film documentation. The necessity of a spontaneous confronta...