Movies: Ulrike Ottinger

Pride is the first of the seven deadly sins. The introduction is made through early allegorical forms and figures (triumphal procession, dance of death, Baroque tragedy etc.) The triumphal procession of the giant haystack as a symbol of human vanitie...

China marks the beginning of the extensive Asian theme in Ottinger’s filmography and is her first travelogue. Her observant eye is interested in anything from Sichuan opera and the Beijing Film Studio to the production of candy and sounds of bicycle ...

Gérard Courant's "Filmed Diary" of December 14, 2011, produced in Dubai (United Arab Emirates). Between December 7 and 15, 2011, Gérard Courant was invited by the Dubai International Film Festival, in the United Arab Emirates. It was an opportunity f...

Ulrike Ottinger is an exceptional filmmaker and artist. Her cinematic universe has influenced entire generations. As a young woman, she brought the international art world to the sleepy town of Konstanz. It all began on the shores of Lake Constance w...

A Journey to the Bering Sea in three chapters by Ulrike Ottinger....

Six life stories of German, Austrian and Russian Jews which intersect in exile in Shanghai. Out of narratives, photographs, documents and new images of the biggest and most contradictory metropolis of the Far East an entity develops in which the hist...

Countdown follows a chronological sequence. The movie was shot in Berlin and environs over a ten-day period leading up to the unification of the currencies on July 1, 1990. The film thus ends on the date marking “the first stage of German reunificati...

Places and worlds beyond the interest of the media are at the mercy of the law of forgetting. The spotlight fades and that which urgently needs public attention lies in the dark: poverty, hopelessness, and the population's fear in the face of terror ...

In collage sequences, the surrogate of synthetic sensuality takes form and seduces the sailors in the guise of a Hawaiian girl. In ritual punctuation, she distributes deaths which seemingly only the hardy siren Fatality can survive....

Ulrike Ottinger’s provocative mélange of ethnography, stunning tableaux and baroque vignettes was inspired by what she calls the “well-stocked miracle” of Korean wedding chests, assembled according to time-honored customs. This exploration of love an...

Tabu, a mythical tale shot in Tahiti, is yet another key to Ottinger’s cinema. Aloha is a dedication to Murnau, as well as Gauguin, Matisse and her other predecessors whose hearts and eyes had been enchanted by foreign cultures. By juxtaposing footag...

Still Moving is one of the director’s most personal films, offering some insight into her artistic process. It is an assemblage of her father’s African collection, photographs made by Ottinger in the 1970s, footage of a theatre play based on Johann N...

Rediscovered fragment of a Super 8 film by Ulrike Ottinger about Lil Picard's birthday party at the Werner Kunze Gallery....

In 1973, Wolf Vostell, an artist associated with Fluxus, made a happening in which participants were required to perform a series of ritual, obsessive actions, such as “go to the trunk of your vehicle, there open and close the trunk 750 times and 375...

Superbia states "I am pride. The proud root of all evil. I am Superbia, the first of the seven capital sins. I am always the first. The tree of wickedness grows out of me. My six daughters are its forbidden fruit: gluttony, laziness, greed, anger, en...

Selected industrial and city settings from the three films were documented again for Usinimage and intercut with the corresponding fiction film scenes, in order to give the landscapes a new accent through artistic defamiliarization and condensation. ...